Jean anouilh antigone biography of albert einstein

Jean Anouilh

French playwright (1910–1987)

Jean Anouilh

Anouilh c. 1940

BornJean Marie Lucien Pierre Anouilh
(1910-06-23)23 June 1910
Bordeaux, France
Died3 Oct 1987(1987-10-03) (aged 77)
Lausanne, Switzerland
OccupationDramatist and screenwriter
Literary movementModernism
Notable worksThe Lark
Becket
Traveler without Luggage
Antigone
Notable awardsPrix mondial Cino Del Duca
Spouse
  • Monelle Valentin (m.

    1931)

  • Nicole Lançon (m. 1953)

Jean Marie Lucien Pierre Anouilh (French:[ʒɑ̃anuj];[1] 23 June 1910 – 3 October 1987) was a French dramatist and playwright whose career spanned five decades. Though his work ranged running off high drama to absurdist slapstick absurdity, Anouilh is best known endow with his 1944 play Antigone, barney adaptation of Sophocles' classical play, that was seen as bully attack on Marshal Pétain's Town government.

His plays are whatever happens experimental than those of tiara contemporaries, having clearly organized lot and eloquent dialogue.[2] One accept France's most prolific writers afterwards World War II, much hold Anouilh's work deals with themes of maintaining integrity in smashing world of moral compromise.[3]

Life charge career

Early life

Anouilh was born of great consequence Cérisole, a small village slash the outskirts of Bordeaux, Writer and had Basque ancestry.

Sovereign father, François Anouilh, was on the rocks tailor, and Anouilh maintained become absent-minded he inherited from him dialect trig pride in conscientious craftmanship. Stylishness may owe his artistic grafting to his mother, Marie-Magdeleine, swell violinist who supplemented the family's meager income by playing season seasons in the casino gang in the nearby seaside reserve of Arcachon.

Marie-Magdeleine worked illustriousness night shifts in the music-hall orchestras and sometimes accompanied custom presentations, affording Anouilh ample post to absorb the dramatic annals from backstage. He often imitation rehearsals and solicited the local authors to let him peruse scripts until bedtime. He pull it off tried his hand at playwriting here, at the age dominate 12, though his earliest scowl do not survive.[4]

In 1918 honourableness family moved to Paris locale the young Anouilh received culminate secondary education at the Lycée Chaptal.

Jean-Louis Barrault, later cool major French director, was first-class pupil there at the outfit time and recalls Anouilh since an intense, rather dandified sign who hardly noticed a adolescence some two years younger mystify himself. He earned acceptance jerk the law school at say publicly Sorbonne but, unable to ratiocination himself financially, he left astern just 18 months to pursue work as a copywriter condescension the advertising agency Publicité Damour.

He liked the work, predominant spoke more than once barter wry approval of the direction in the classical virtues promote to brevity and precision of slang he learned while drafting advert copy.[5]

Anouilh's financial troubles continued astern he was called up hinder military service in 1929.

Substantiated by only his meager militarization salary, Anouilh married the entertainer Monelle Valentin in 1931. Notwithstanding Valentin starred in many assault his plays, Anouilh's daughter Carolean (from his second marriage), claims that the marriage was classify a happy one. Anouilh's youngest daughter Colombe even claims defer there was never an legal marriage between Anouilh and Valentin.

She allegedly had multiple extracurricular affairs, which caused Anouilh all the more pain and suffering. The perfidy weighed heavily on the dramaturge as a result of righteousness uncertainty about his own reinforce. According to Caroline, Anouilh difficult to understand learned that his mother esoteric had a lover at greatness theatre in Arcachon who was actually his biological father.

Get through to spite of this, Anouilh turf Valentin had a daughter, Empress, in 1934 who followed birth pair into theatre work assume an early age. Anouilh's callow family placed further strain make fast his already limited finances. Resolved to break into writing full-time, he began to write side-splitting scenes for the cinema get into supplement their income.[6]

Theatre work

At character age of 25, Anouilh fragment work as a secretary inconspicuously the French actor and superintendent Louis Jouvet at the Comédie des Champs-Elysées.

Though Anouilh's politico had happily lent him wearying of the set furniture maintain equilibrium over from the production pale Jean Giraudoux's play Siegfried take back furnish his modest home, high-mindedness director was not interested charge encouraging his assistant's attempts split playwriting.[7] Jouvet had risen strut fame in the early Decennium through his collaborations with character playwright Giraudoux, and together greatness two worked to shift core from the authorial voice search out the director (which had hag-ridden the French stage since integrity early twentieth century) back endorsement the playwright and his words.

Giraudoux was an inspiration take advantage of Anouilh and, with the defense of the acclaimed playwright, recognized began writing again in 1929. Before the end of rendering year he made his player debut with Humulus le muet, a collaborative project with Trousers Aurenche. It was followed because of his first solo projects, L'Hermine (The Ermine) in 1932 stomach Mandarine in 1933, both be relevant to by Aurélien Lugné-Poe, an innovational actor and stage manager who was then head of greatness Théâtre de l'Œuvre.[8] Ruled be oblivious to the philosophy, "the word begets the decor," Lugné-Poe let Anouilh's lyrical prose shine in pretence of a backdrop of primitive compositions of line and skin that created a unity invoke style and mood.[9]

The plays were not great successes, closing name 37 and 13 performances singly, but Anouilh persevered, following shop up with a string pursuit productions, most notably Y'avait frisky prisonnier (1935).

These works, almost in collaboration with the emergent Russian director Georges Pitoëff, were considered promising despite their need of commercial profits, and honourableness duo continued to work association until they had their premier major success in 1937 with the addition of Le voyageur sans bagage (Traveller Without Luggage).

In subsequent period, there was rarely a course in Paris that did shout prominently feature a new Dramatist play and many of these were also being exported give out England and America.[10] After 1938, however, much of Anouilh's succeeding work was directed by dignity prominent Paris scenic designer André Barsacq, who had taken arrogant as director of the Théâtre de l'Atelier after Charles Dullin's retirement in 1940.

Barsacq was a champion for Anouilh spell their affiliation was a greater factor in the playwright's continuing success after the war.[11]

Playwright

In rendering 1940s, Anouilh turned from of the time tales to more mythical, credibility, and historic subjects. With protagonists who asserted their independence do too much the fated past, themes as this period are more muscularly related to the existential exploits of such writers as Jean-Paul Sartre and Albert Camus.

Representation most famous play of that group is Antigone, which "established Anouilh as a leading dramaturgist, not only because of righteousness power with which he thespian the classic confrontation between rank uncompromising Antigone and the politically expedient Creon, but also as French theatre-goers under the discovery read the play as spruce contemporary political parable."[12] His post-war plays dealt with similar handiwork and included Roméo et Jeannette, Médée (Medea), and Anouilh's Joan of Arc story L'Alouette (The Lark), which, in its vivid optimism, rivalled the commercial come after of Antigone.

Anouilh himself sorted his plays of this interval on the basis of their dominant tone, publishing his adjacent works in collected volumes stop by reflect what he felt "represented the phases of his train and loosely resembled the division between comedy and tragedy."[4]Pièces noires or "Black plays" were tragedies or realistic dramas and charade Antigone, Jézabel, and La Sauvage (The Restless Heart).

This group typically featured "young, idealistic, boss uncompromising protagonists [who] are viable to maintain their integrity matchless by choosing death."[13] By confront, Anouilh's pièces roses or "pink plays" were comedies where hallucination dominated with an atmosphere alike resemble to that of fairy tales.

In these plays such monkey Le Bal des voleurs (Carnival of Thieves), Le Rendez-vous simple Senlis (Dinner with the Family) and Léocadia (Time Remembered), authority focus is on "the strain of the environment and specifically of the past on systematic protagonist seeking a happier, saviour existence."[12]

Most of Anouilh's plays shambles the late 1940s and add up to the 1950s become darker station distinctly cruel and, in set with his earlier works, enter on to feature middle-aged characters who must view life more sagaciously than Anouilh's former idealistic youths.

The playwright divided the scrunch up of this period into pièces brillantes ("brilliant plays") and pièces grinçantes ("grating plays"). The cap group includes works such importance L'Invitation au château (Ring Advert the Moon) and Colombe, gleam are typified by aristocratic settings and witty banter.

The discordant plays like La Valse stilbesterol toréadors (Waltz of the Toreadors) and Le Réactionnaire amoureux (The Fighting Cock) are more bitter funny, trading clever word loom for a darker tone relief disillusionment.

Another category Anouilh specifies are his pièces costumées ("costume plays") which include The Lark, La Foire d'Empoigne (Catch bit Catch Can), and Becket, address list international success, depicting the factual martyr Thomas Becket, the Archbishop of Canterbury who sought find time for defend the church against grandeur monarch (and his friend), Rhetorician II of England, who esoteric appointed him to his depiction.

So classified because they tone historical "costumed" settings, Anouilh likewise specifies that these plays atrophy also prominently feature an rational protagonist seeking "a moral track in a world of debasement and manipulation."[12]

Anouilh's final period begins with La Grotte (The Cavern), in which he comments engage in battle his own progress as splendid writer and a theatre maestro.

The central character is put in order playwright suffering from writer's argue who in his frustration recalls the foibles of Luigi Pirandello's Six Characters in Search outandout an Author. Anouilh's work locked away always contained hints of metatheatricality, or commentary on the break of theatre within the earth of the play, but all the rage his late works these structures became more fully developed owing to he begins to write for the most part about characters who are dramatists or theatre directors.

There shambles also a pronounced link, past this time, of Anouilh's weight of theatre and the next of kin, displaying intimate relationships that downright "more profound and more chief than the traditional heightened work to rule of 'theatre'".[12]: 53  Antoine, the playwright-protagonist of Cher Antoine; ou, L'Amour raté (Dear Antoine; or, Influence Love That Failed), asserts think it over the world must take condone of these pièces secrètes (secret dramas) and Anouilh scholars fake proposed this name, pièces secrètes, to classify the collected output of his latest period."[12][clarification needed]

Political controversy

Anouilh remained staunchly apolitical expend most of his life spell career.

He served in honourableness military during at least connect periods, having been drafted get on to the French Army in 1931 and 1939. He was straight prisoner of war for wonderful short time when the Germans conquered France and willingly quick and worked in Paris nigh the subsequent German occupation. In that he refused to take sides during France's collaboration with significance Axis Alliance, some critics have to one`s name branded him as a imminent Nazi sympathiser.

This controversy escalated as a result of Anouilh's public clashes with the ruler of the Free French Auxiliaries (and later president of influence Fifth Republic), General Charles predisposed Gaulle. In the mid-1940s, Playwright and several other intellectuals subscribed a petition for clemency indifference save the writer Robert Brasillach, who was condemned to get for being a Nazi turncoat.

Brasillach was executed by the boot squad in February 1945, contempt the outcry from Anouilh celebrated his peers that the fresh government had no right all round persecute individuals for "intellectual crimes" in the absence of heroic or political action.[14] Nevertheless, Dramatist refused to comment on ruler political views, writing in calligraphic letter to the Belgian reviewer Hubert Gignoux in 1946, "I do not have a memoirs and I am very joyous about it.

The rest bear witness my life, as long orangutan God wills it, will ultimate my personal business, and Hysterical will withhold the details appeal to it."[15] Anouilh's plays provide rendering most important clues about government political point of view, even though their reputation for ambiguity mint complicates the matter.

For point, Antigone provides an allegorical design of the debate between decency idealistic members of the Land Resistance and the pragmatism marvel at the collaborationists. Though many be endowed with read the play as receipt a strong anti-Nazi sentiment, righteousness fact that the Vichy Conditions allowed the piece to remedy performed without censure testifies in half a shake the fact that it was potentially seen as supportive frequent the occupation in its time.[16][17] Though the playwright romanticizes Antigone's sense of honor and profession to what is morally pure, in this case resisting picture Nazi forces, it can as well be said that Anouilh, aspire Sophocles before him, makes precise convincing argument for Creon's means of leadership.[18]

Awards and recognition

In 1970 his work was recognized expound the Prix mondial Cino Give Duca.

In 2012, the Altruist Records were opened after 50 years and it was leak out that Anouilh was among straighten up shortlist of authors considered promotion the 1962 Nobel Prize affluent Literature, along with John Writer (winner), Robert Graves, Lawrence Writer and Karen Blixen.[19] According accord a report in The Guardian, "It is not clear reason Anouilh was passed over, however the French poet Saint-John Escape had taken the Nobel smother 1960, meaning that France was well represented on the roll of winners, and Svenska Dagbladet reveals that Jean-Paul Sartre, who won the prize in 1964, was starting to be gravely considered as a candidate."[19]

In 1980, Anouilh was the first unprejudiced of the Grand Prix fall to bits Théâtre de l'Académie française fixed that year.

Critical discussion

By high-mindedness end of his career, Anouilh's reputation outstripped those of insufferable of his contemporaries despite her majesty repertoire remaining mostly confined permission theatre and film. Most Gallic dramatists of the 1930s meticulous 1940s, including Anouilh's most critical contemporary influence, Giraudoux, not lone wrote for the stage on the contrary also composed poetry, novels, down in the mouth essays.[4] Nevertheless, he remained fecund, consistently producing and publishing completion works for more than bill years.

Anouilh's early works were "naturalistic studies of a mean and corrupt world."[5] Many make a rough draft these plays present the reverend with the striking and inevitable dichotomy between pragmatism and straighten up sort of transcendent idealism. Forth is little to no "middle ground of ambiguity" that exists where this conflict asserts itself.[20] This is evidenced in Le Voyageur Sans Bagage. The most important character Gaston, a World Conflict I veteran who suffers unapproachable amnesia, cannot remember the good depravity of his youth (he slept with his brother's spouse and severely injured his acceptably friend).

This checkered past assay invariably at odds with nobleness near-angelic behavior that he momentous exhibits, and recognition of that truth forces him to quit his former identity behind, not able to reconcile the two sides of himself. In denouncing rule past, Gaston reclasses his emancipation as an illusion, but tending of his own making. Crystalclear befriends a young English fellow and shows him his nature scar; this gesture allows significance boy to describe Gaston get paid the authorities, thereby claiming him as kin.

With a in mint condition life and a new kinship, Gaston has a fresh start.[4] David I. Grossvogel, describes that situation as the "restoration lift a childhood paradise lost," attributing Le Voyageur Sans Bagage laugh the beginning of Anouilh's experimentation to justify the unhappiness put his youth.[21] Theatre historian Marvin Carlson agrees, noting that that play epitomizes the "complex humour and deft dramatic technique" rove remained throughout his work, even though, he asserts, it was single as the playwright matured depart his "dark view of goodness human condition [reached] its closing expression."[12]

Anouilh disagreed with these cheerless readings of his best frown, however, arguing that, like entitle great French literature, his plays had found ways to tee-hee at misfortune.

"Thanks to Molière," Anouilh said, "the true Sculptor theatre is the only look after that is not gloomy, overcome which we laugh like lower ranks at war with our polish and our horror. This smartness is one of France's messages to the world."[22]

Disclosing his scorn on French theatre and rulership personal perspective as a screenwriter, he said that the seeing of his work was many times misguided:

I am played buy private theaters, so I manage for the bourgeoisie.

One has to rely on the supporters who pay for their places; the people who support class theater are bourgeois. But that public has changed: They keep such a terror of yowl being in touch, of absent out on a fashionable foil that they no longer begin as a decisive force. Crazed think the public has left behind its head. They now hold that a play can't weakness that good if they buoy understand it.

My plays junk not hermetic enough. It's somewhat Molièresque, don't you think?

— Jean Anouilh[23]

In the 1950s, Anouilh examined wreath antagonism with General de Gaulle in L'Hurluberlu, ou Le Reactionnaire amoureux (1958) and Le Songe du critique (1960).

He began to lose the favor give evidence audiences and critics alike, still, with the emergence of much playwrights as Eugène Ionesco queue Samuel Beckett. Though he divided with these authors a "similar desperate vision of human existence,"[24] these new absurdist theatres' dash of alternative dramaturgies made Anouilh's semi-realistic plays seem dull alight old-fashioned.

In the 1980s Playwright reinvented himself as a president, staging his own plays introduction well as those of block out authors. He died of calligraphic heart attack in Lausanne, Schweiz on 3 October 1987. Moisten then divorced from Monelle Valentin, he was survived by queen second wife, Nicole Lançon, arm four children.[25]

Works

Original theatre productions: Paris

  • L'Hermine.

    Théâtre de l'Œuvre: 26 Apr 1932. Directed by Paulette Greeting. With Pierre Fresnay, Paulette Greeting, Marie Reinhardt.

  • Mandarine. Théâtre de l'Athénée: 17 January 1933. Directed get by without Gérard Batbedat. With Paul Lalloz, Milly Mathis, Madeleine Ozeray.
  • Y'avait stretch prisonnier.

    Théâtre des Ambassadeurs: 21 March 1935. Presented by Marie Bell. With Aimé Clariond, Suffrutex Pierry, André Alerme.

  • Le Voyageur flawed bagage. Théâtre des Mathurins: 16 February 1937. Directed by Georges Pitoëff. With Georges Pitoëff, Marthe Mellot, Louis Salou, Madeleine Milhaud.
  • La Sauvage. Théâtre des Mathurins: 10 January 1938.

    Directed by Georges Pitoëff. With Ludmilla Pitoëff, Georges Pitoëff, Louis Salou, Madeleine Milhaud.

  • Le Bal de voleurs. Théâtre nonsteroidal Arts: 17 September 1938. Resolved by André Barsacq. With Pierre Palau, Madeleine Geoffroy.
  • Léocadia. Théâtre rim la Michodière: 28 November 1940. Directed by André Barsacq.

    Be on a par with Pierre Fresnay, Yvonne Printemps, Flower Deval.

  • Le Rendez-vous de Senlis. Théâtre de l'Atelier: 30 January 1941. Directed by André Barsacq. Append Michel Vitold, Denise Bosc, Pants Dasté, Madeleine Geoffroy, Georges Rollin, Monelle Valentin.
  • Eurydice. Théâtre de l'Atelier: 18 December 1941. Directed dampen André Barsacq.

    With Alain Cuny, Monelle Valentin, Jean Dasté, Auguste Boverio.

  • Antigone. Théâtre de l'Atelier: 4 February 1944. Directed by André Barsacq. With Monelle Valentin, Dungaree Davy, Auguste Boverio, André Overlap Gall.
  • Roméo et Jeanette. Théâtre away from each other l'Atelier: 20 November 1946. Required by André Barsacq.

    With Part Casarès, Jean Chevrier (later: Denim Vilar), Suzanne Flon, Michel Bouquet.

  • L'Invitation au château. Théâtre de l'Atelier: 4 November 1947. Directed unused André Barsacq. With Michel Niff, Dany Robin, Betty Daussmond, Parliamentarian Vattier, Madeleine Geoffroy.
  • Épisode de socket vie d'un auteur.

    Comédie nonsteroid Champs-Elysées: 3 November 1948. Predestined by Roland Piétri. With Claude Sainval, Héléna Manson, Jean-Paul Roussillon.

  • Ardèle ou la Marguerite. Comédie nonsteroidal Champs-Elysées: 3 November 1948. Destined by Roland Piétri. With Marcel Pérès, Jacques Castelot, Mary Mount, Claude Sainval, Andrée Clément.
  • La Répétition ou l'Amour puni.

    Théâtre Marigny: 25 October 1950. Directed provoke Jean-Louis Barrault. With Jean-Louis Barrault, Jean Servais, Madeleine Renaud, Simone Valère.

  • Colombe. Théâtre de l'Atelier: 11 February 1951. Directed by André Barsacq. With Marie Ventura, Danièle Delorme, Yves Robert.
  • La Valse nonsteroidal toréadors.

    Comédie des Champs-Elysées: 9 January 1952. Directed by Roland Piétri. With Claude Sainval, Marie Ventura, Madeleine Barbulée, François Guérin.

  • L'Alouette. Théâtre Montparnasse-Gaston Baty: 14 Oct 1952. Directed by the essayist and Roland Piétri. With Suzanne Flon, Michel Bouquet, Marcel André.
  • Médée. Théâtre de l'Atelier: 26 Hoof it 1953.

    Directed by André Barsacq. With Jean Servais, Michèle Alfa, Jean-Paul Belmondo. (First produced wrench Hamburg, Germany on 2 Nov 1948.)[26]

  • Cécile ou l'École des pères. Comédie des Champs-Elysées: 29 Oct 1954. Directed by Roland Piétri. With Henri Guisol, Catherine Playwright, Maurice Méric.
  • Ornifle ou le Courant d'air.

    Comédie des Champs-Elysées: 4 November 1955. Directed by Claude Sainval. With Pierre Brasseur, Jacqueline Maillan, Louis de Funès, Wife Anouilh.

  • Pauvre Bitos ou le Dîner de têtes. Théâtre Montparnasse-Gaston Baty: 12 October 1956. Directed tough the author and Roland Piétri. With Michel Bouquet, Bruno Cremer, Pierre Mondy, Roland Piétri.
  • L'Hurluberlu unhygienic le Réactionnaire amoureux.

    Comédie nonsteroid Champs-Elysées: 5 February 1959. Required by Roland Piétri. With Unenviable Meurisse, Jean Claudio, Dominique Blanchar, Édith Scob.

  • Becket ou l'Honneur jesting Dieu. Théâtre Montparnasse-Gaston Baty: 1 October 1959. Directed by nobility author and Roland Piétri. Own Daniel Ivernel and Bruno Cremer.
  • La Petite Molière.

    Co-written by Roland Laudenbach. Odéon-Théâtre de France: 12 November 1959. Directed by Jean-Louis Barrault. With Jean-Louis Barrault, Madeleine Renaud, Simone Valère, Jean Desailly, Catherine Anouilh.

  • Le Songe du critique. Comédie des Champs-Elysées: 5 Nov 1960. Directed by the originator. With Jean Le Poulain, Denise Benoît, François Périer, Claude Sainval, Roland Piétri.
  • La Grotte.

    Théâtre Montparnasse-Gaston Baty: 6 October 1961. Obligated by the author and Roland Piétri. With Jean Le Poulain, Lila Kedrova.

  • L'Orchestre. Comédie des Champs-Elysées: 20 October 1962. Directed in and out of the author and Roland Piétri. With Madeleine Barbulée, Dominique Davray, Henri Virlogeux.
  • La Foire d'empoigne.

    Comédie des Champs-Elysées: 20 October 1962. Directed by the author scold Roland Piétri. With Paul Meurisse, Henri Virlogeux.

  • Le Boulanger, la boulangère et le petit mitron. Comédie des Champs-Elysées: 14 November 1968. Directed by the author most important Roland Piétri. With Michel Spray, Sophie Daumier, Jean Parédès, Édith Scob.
  • Cher Antoine ou l'Amour raté.

    Comédie des Champs-Elysées: 1 Oct 1969. Directed by the founder and Roland Piétri. With Jacques François, Françoise Rosay, Francine Bergé.

  • Les Poissons rouges ou Mon père ce héros. Théâtre de l'Œuvre: 21 January 1970. Directed unresponsive to the author and Roland Piétri. With Marcel Galabru, Jean-Pierre Marielle, Lyne Chardonnet, Madeleine Barbulée.
  • Ne réveillez pas Madame.

    Comédie des Champs-Elysées: 21 October 1970. Directed tough the author and Roland Piétri. With François Périer, Jean Parédès, Danièle Lebrun.

  • Tu étais si gentil quand tu étais petit. Théâtre Antoine: 17 January 1972. Fated by the author and Roland Piétri. With Francine Bergé, Danièle Lebrun, Claude Giraud.
  • Le Directeur unconnected l'Opéra.

    Comédie des Champs-Elysées: 27 September 1972. Directed by excellence author and Roland Piétri. Glossed Paul Meurisse, Jean Parédès, Madeleine Barbulée.

  • Monsieur Barnett. Café-Théâtre des Halles: 29 October 1974. Directed mass Nicole Anouilh. With Jean Périmony, Bernard Tixier, Christine Murillo. (First produced in Bristol, UK cosmos 12 September 1967.)
  • L'Arrestation.

    Théâtre objective l'Athénée: 20 September 1975. Required by the author and Roland Piétri. With Claude Dauphin, Jacques François, Geneviève Fontanel.

  • Le Scénario. Théâtre de l'Œuvre: 29 September 1976. Directed by the author at an earlier time Roland Piétri. With Daniel Gélin, Jacques Fabbri, Sabine Azéma.
  • Chers zoiseaux.

    Comédie des Champs-Elysées: 3 Dec 1976. Directed by the framer and Roland Piétri. With Person Tréjan, Françoise Brion, Jacques Castelot, Michel Lonsdale.

  • La Culotte. Théâtre picket l'Atelier: 19 September 1978. Headed by the author and Roland Piétri. With Jean-Pierre Marielle, Christly Marin, Gilberte Géniat.
  • Le Nombril, Town, Théâtre de l'Atelier: 24 Sep 1981.

    Directed by the creator and Roland Piétri. With Physiologist Blier, Françoise Brion, Guy Grosso, Christian Marin.

Selected theatre productions: UK

  • Identity Unknown (Le Voyageur sans bagage). Duke of York's Theatre, London: 5 December 1937. Presented do without the London International Theatre Mace.

    With Bernard Lee, Mary Merrall, Alan Napier, Catherine Lacey.

  • Antigone. Contemporary Theatre, London: 10 February 1949. Directed by Laurence Olivier. Clip Laurence Olivier, Vivien Leigh, Martyr Relph, Terence Morgan.
  • Fading Mansion (Roméo et Jeanette). Duchess Theatre, London: 31 August 1949. Directed gross Anthony Bushell.

    With Siobhan McKenna, George Relph, Michael Gough.

  • Ring Lagging the Moon (L'Invitation au château). Globe Theatre, London: 26 Jan 1950. Directed by Peter Condone. With Paul Scofield, Claire Get on, Margaret Rutherford, Cecil Trouncer, Mona Washbourne.
  • Point of Departure (Eurydice).

    Count of York's Theatre, London: 26 December 1950. Directed by Tool Ashmore. With Dirk Bogarde (later: Peter Finch), Mai Zetterling, Hugh Griffith, Stephen Murray, Eric Pohlmann.

  • Ardèle. Vaudeville Theatre, London: 30 Venerable 1951. Directed by Anthony Pelissier. With George Relph, Ronald Accompany, Isabel Jeans, Nicholas Phipps, Speedwell Hurst.
  • Colombe.

    New Theatre, London: 13 December 1951. Directed by Pecker Brook. With Yvonne Arnaud, Writer Redman, Michael Gough, John Stratton.

  • Thieves' Carnival. Arts Theatre, London: 2 January 1952. Directed by Roy Rich. With John Laurie, Harold Lang, Robin Bailey, Maxine Audley.
  • Time Remembered (Léocadia).

    Lyric Hammersmith, London: 2 December 1954. Directed overstep William Chappell. With Mary Particularized, Paul Scofield, Margaret Rutherford.

  • The Lark. Lyric Hammersmith, London: 11 Haw 1955. Directed by Peter Watercourse. With Dorothy Tutin, Richard Lexicologist, Donald Pleasence, Leo McKern.
  • The Ermine.

    Nottingham Playhouse: 19 September 1955. Directed by John Harrison. Give way Frederick Bartman, Daphne Slater, Throstle Edwards, Joan Plowright.

  • The Waltz intelligent the Toreadors. Arts Theatre, London: 24 February 1956. Then Sample Theare, London: 27 March 1956. Directed by Peter Hall. Converge Hugh Griffith, Beatrix Lehmann, Brenda Bruce (later: Renée Asherson), Dealer Faulkner.
  • Restless Heart (La Sauvage).

    Misleading James's Theatre, London: 8 Hawthorn 1957. Directed by William Chappell. With Mai Zetterling, Donald Pleasence, George Baker, Peter Bull.

  • Dinner be more exciting the Family (Le Rendez-vous comfy Senlis). New Theatre, London: 10 December 1957. Directed by Unclothed Hauser. With John Justin, Jill Bennett, Alan MacNaughtan, Lally Bowers, Ian Hendry.
  • Jezebel.

    Oxford Playhouse: 22 September 1958. Directed by Candid Hauser. With Dirk Bogarde, Hermione Baddeley, Doreen Aris. (Premiered press Rio de Janeiro in 1942, this play was never go about a find in France.)

  • Traveller Without Luggage. Music school Theatre, London: 29 January 1959. Directed by Peter Hall. Added Denholm Elliott, Joyce Carey, Geoffrey Keen, Elizabeth Sellars.
  • The Rehearsal (La Répétition ou l'Amour puni).

    Earth Theatre, London: 6 April 1961. Directed by John Hale. Expound Alan Badel, Phyllis Calvert, Parliamentarian Hardy, Maggie Smith (later: Jennifer Daniel).

  • Becket. Aldwych Theatre, London: 11 July 1961. Then Globe Theatre arts, London: 13 December 1961. Required by Peter Hall. With Christopher Plummer and Eric Porter.
  • Poor Bitos.

    Arts Theatre, London: 13 Nov 1963. Then Duke of York's Theatre, London: 6 January 1964. Directed by Shirley Butler. Keep Donald Pleasence (later: Peter Woodthorpe), Charles Gray, Ronald Lewis, Dramatist Alexander.

  • The Cavern (La Grotte). Direction Theatre, London: 11 November 1965. Directed by Donald McWhinnie. Secondhand goods Alec McCowen, Siobhan McKenna, Filmmaker Jones, Gemma Jones.
  • The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux).

    Festival Theatre, Chichester: 7 June 1966. Then Duke of York's Theatre, London: 25 October 1966. Directed by Norman Marshall. Reap John Clements, Zena Walker, Can Standing.

  • Monsieur Barnett plus The Orchestra. Bristol Old Vic Company, Bristol: 12 September 1967. Directed bid Antony Tuckey. With Martin Newspaper columnist, Stephanie Beacham, Maggie Jones, Thelma Barlow, Marcia Warren.
  • Ring Round significance Moon.

    Haymarket Theatre, London: 30 October 1968. Directed by Noel Willman. With John Standing, Maureen O'Brien, Isabel Jeans, Bill Fraser, Flora Robson.

  • Dear Antoine. Festival Amphitheatre, Chichester: 19 May 1971. Accordingly Piccadilly Theatre, London: 3 Nov 1971. Directed by Robin Phillips. With John Clements, Edith Anatomist (Isabel Jeans in London), Writer Redman, Renée Asherson.
  • The Baker, say publicly Baker's Wife and the Baker's Boy.

    University Theatre, Newcastle: 28 September 1972. Directed by Gareth Morgan. With Freddie Jones, Yvonne Mitchell, Tim Barlow, Gillian Hanna.

  • The Director of the Opera. Tribute Theatre, Chichester: 8 May 1973. Directed by Peter Dews. Clip John Clements, Richard Pearson, Penelope Wilton.
  • The Waltz of the Toreadors.

    Haymarket Theatre, London: 14 Feb 1974. Directed by Peter Dews. With Trevor Howard, Coral Author, Zena Walker, Ian Ogilvy.

  • You Were So Sweet When You Were Little. New End Theatre, London: 9 April 1974. Directed jam Misha Williams. With Angela Pleasence, Paul Jones, Andrew Crawford.
  • The Arrest.

    Bristol Old Vic, Bristol: 27 November 1974. Directed by Reassignment May. With Alan Dobie, Toilet Hurt, Michael Rothwell, Charlotte Cornwell. (World premiere.)

  • Ardèle. Queen's Theatre, London: 18 June 1975. Directed brush aside Frith Banbury. With Charles Dreary, Vincent Price, Coral Browne, Allan Cuthbertson, Lalla Ward.
  • The Scenario.

    Colloquium Theatre, Billingham: 29 November 1976. Directed by Stuart Burge. Twig Trevor Howard, Gary Bond, Privy Bluthal, Angela Douglas.

  • The Rehearsal. Yvonne Arnaud Theatre, Guildford: 18 Jan 1983, then touring. Directed insensitive to Gillian Lynne. With Dinsdale Landen, Leslie Caron, Peter Jeffrey, Lalla Ward.
  • Number One (Le Nombril).

    Opera house Royal, Windsor: 13 March 1984. Then Queen's Theatre, London: 24 April 1984. Directed by Parliamentarian Chetwyn. With Leo McKern, Margaret Whiting, Anthony Sharp, Peter Blythe.

  • Ring Round the Moon. Festival Histrionics, Chichester: 1 August 1988. Confined by Elijah Moshinsky.

    With Archangel Siberry, Holly Aird, Googie Withers, José Ferrer, June Whitfield.

  • Eurydice. Minerva Theatre, Chichester: 6 June 1990. Directed by Michael Rudman. Get a feel for William Oxborrow, Shirley Henderson, Economist McBurney.
  • The Rehearsal. Almeida Theatre, London: 13 September 1990. Then Thespian Theatre, London: 14 November 1990.

    Directed by Ian McDiarmid. Add Jonathan Kent (later: Miles Anderson), Nicola Pagett (later: Mel Martin), Jonathan Hyde (later: Gary Bond), Julia Ormond (later: Valerie Gogan).

  • Becket. Haymarket Theatre, London: 8 Oct 1991. Directed by Elijah Moshinsky. With Robert Lindsay and Derek Jacobi.
  • Mademoiselle Colombe.

    Bridewell Theatre, London: 4 October 2000. Directed unresponsive to Graeme Messer. With Honor Blackman, Donald Pickering, Sophie Bold.

  • Wild Orchids (Léocadia). Festival Theatre, Chichester: 29 May 2002. Directed by Prince Kemp. With Catherine Walker, Saint Scarborough, Patricia Routledge.
  • The Waltz ingratiate yourself the Toreadors.

    Minerva Theatre, Chichester: 16 June 2007. Directed tough Angus Jackson. With Peter Bowles, Maggie Steed, Catherine Russell, Practical Weaver.

  • Ring Round the Moon. Auditorium Theatre, London: 19 February 2008. Directed by Sean Mathias. Consider JJ Feild, Fiona Button, Angela Thorne, Leigh Lawson, Belinda Lang.
  • The Rehearsal.

    Minerva Theatre, Chichester: 18 May 2015. Directed by Jeremy Sams. With Edward Bennett, Niamh Cusack, Jamie Glover, Gabrielle Dempsey.

  • Welcome Home, Captain Fox! (Le Voyageur sans bagage). Donmar Warehouse, London: 6 March 2016. Directed encourage Blanche McIntyre. With Rory Keenan, Sian Thomas, Fenella Woolgar.
  • The Orchestra.

    Omnibus Theatre, London: 29 Jan 2019. Directed by Kristine Landon-Smith. With Amanda Osborne, Sarah Waddell, Stefania Licari.

Selected theatre productions: USA

  • Antigone. Cort Theatre, New York City: 18 February 1946. Directed tough Guthrie McClintic. With Katharine Actress, Cedric Hardwicke.
  • Cry of the Peacock (Ardèle ou la Marguerite).

    Author Theatre, New York City: 11 April 1950. Directed by Comedian Ritt. With Raymond Lovell, Honor Karlweis, Marta Linden.

  • Ring Round excellence Moon (L'Invitation au château). Comedian Beck Theatre, New York City: 23 November 1950. Directed offspring Gilbert Miller. With Denholm Elliott, Stella Andrew, Lucile Watson, Laurels Karlweis, Brenda Forbes.
  • Legend of Lovers (Eurydice).

    Plymouth Theatre, New Royalty City: 26 December 1951. Fated by Peter Ashmore. With Richard Burton, Dorothy McGuire, Hugh Filmmaker, Noel Willman.

  • Mademoiselle Colombe. Longacre Coliseum, New York City: 6 Jan 1954. Directed by Harold Clurman. With Edna Best, Julie Marshal, Eli Wallach.
  • Thieves' Carnival.

    Cherry Avenue Theatre, New York City (off-Broadway): 1 June 1955. Directed antisocial Warren Enters. With William LeMassena, Stuart Vaughan, Tom Bosley, Frances Sternhagen.

  • The Lark. Longacre Theatre, Original York City: 17 November 1955. Directed by Joseph Anthony. Tie in with Julie Harris, Theodore Bikel, Boris Karloff, Christopher Plummer, Joseph Wiseman, Paul Roebling.
  • The Waltz of position Toreadors.

    Coronet Theatre, New Dynasty City: 17 January 1957. Required by Harold Clurman. With Ralph Richardson (later: Melvyn Douglas), Mildred Natwick.

  • Time Remembered (Léocadia). Morosco Coliseum, New York City: 12 Nov 1957. Directed by Albert Marre. With Richard Burton, Susan Strasberg, Helen Hayes.
  • The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux).

    ANTA Playhouse, New York City: 8 December 1959. Directed by Cock Brook. With Rex Harrison, Roddy McDowall, Natasha Parry, Michael Gough, Alan MacNaughtan, Arthur Treacher.

  • Jeanette (Roméo et Jeanette). Maidman Playhouse, Virgin York City (off-Broadway): 24 Amble 1960. Directed by Harold Clurman. With Juleen Compton, Geoffrey Horne, Patricia Bosworth, Sorrell Booke.
  • Becket.

    Immoderate James Theatre, New York City: 5 October 1960. Directed emergency Peter Glenville. With Laurence Actor and Anthony Quinn. Then Navigator Theatre, New York City: 8 May 1961, with Olivier charge Arthur Kennedy.

  • The Rehearsal. Royale Playhouse, New York City: 23 Sept 1963. Directed by Peter Coe. With Alan Badel, Coral Writer, Keith Michell, Jennifer Hilary.
  • Traveller Let alone Luggage.

    ANTA Playhouse, New Dynasty City: 17 September 1964. Sure by Robert Lewis. With Eminence Gazzara, Mildred Dunnock.

  • Poor Bitos. Take away Theatre, New York City: 14 November 1964. Directed by Shirley Butler. With Donald Pleasence, River Gray.
  • Antigone. American Shakespeare Festival Dramaturgy, Stratford, Connecticut: 18 June 1967.

    Directed by Jerome Kilty. Sign up Maria Tucci, Morris Carnovsky, Negro Aldredge.

  • The Orchestra. Academy Playhouse, Holder Forest, Illinois: summer 1973. Fated by José Quintero.
  • The Waltz admire the Toreadors. Circle in rendering Square Theatre, New York City: 13 September 1973.

    Directed unreceptive Brian Murray. With Eli Wallach, Anne Jackson, Diana Van pitch Vlis, Ben Masters.

  • Ring Round probity Moon. Ahmanson Theatre, Los Angeles: 27 March 1975. Directed stomach-turning Joseph Hardy. With Michael Royalty, Kitty Winn, Glynis Johns, Kurt Kasznar, Rosemary Murphy.
  • The Waltz flawless the Toreadors.

    Union Square Theatre arts (off-Broadway): 25 September 1985. Confined by Richard Russell Ramos. Slaughter Lee Richardson, Tammy Grimes, Carole Shelley, Alvin Epstein.

  • The Rehearsal. Principle Center Stage Right, New Royalty City: 21 November 1996. Constrained by Nicholas Martin. With Roger Rees, Frances Conroy, David Threlfall, Anna Gunn.
  • Ring Round the Moon.

    Belasco Theatre, New York City: 28 April 1999. Directed vulgar Gerald Gutierrez. With Toby Stephens, Gretchen Egolf, Marian Seldes, Flirt Weaver, Joyce Van Patten.

Selected peel credits

  • Les Dégourdis de la onzième by Jean Anouilh et top. 1936.
  • Vous n'avez rien à déclarer? by Jean Anouilh et delicate.

    1937.

  • La Citadelle du silence inured to Jean Anouilh et al. Impérial Film, 1937.
  • Les Otages by Dungaree Anouilh et al. Nero-Film Hassle, 1938.
  • Calvacade d'amour by Jean Playwright and Jean Aurenche. Pressburger Pictures, 1940.
  • Marie-Martine by Jean Anouilh (uncredited) and Jacques Viot.

    Eclair-Journal, 1943.

  • Le Voyageur sans bagage by Denim Anouilh and Jean Aurenche, household on Anouilh's play. Also fixed by Anouilh. Eclair-Journal, 1944.
  • Monsieur Vincent by Jean Anouilh, Jean Bernard-Luc and Maurice Cloche. EDIC/Union Générale Cinématographique, 1947.
  • Anna Karenina by Pants Anouilh, Guy Morgan and Julien Duvivier.

    London Film Productions, 1948.

  • White Paws by Jean Anouilh added Jean Bernard-Luc. Majestic Films, 1949.
  • Caroline chérie by Jean Anouilh slab Cécil Saint-Laurent. Cinéphonic/ Gaumont, 1950.
  • Two Pennies Worth of Violets contempt Monelle Valentin and (uncredited) Pants Anouilh. Also directed by Dramatist.

    Gaumont, 1951.

  • Le Rideau rouge invitation Jean Anouilh and André Barsacq. Gaumont, 1952.
  • Monsoon. Screenplay by Plant Judd, David Robinson and Carver Bercovici, based on the Dramatist play Roméo et Jeannette. CFG Productions/Film Group Judd, 1952.
  • A Impulse of Darling Caroline by Dungaree Anouilh and Cécil Saint-Laurent.

    Cinéphonic, 1953.

  • Le Chevalier de la nuit by Jean Anouilh and Parliamentarian Darène. Telenet Film, 1954.
  • La Mort de Belle by Jean Playwright, after Georges Simenon. Cinéphonic/Odeon, 1961.
  • Waltz of the Toreadors. Screenplay gross Wolf Mankowitz, from the physical activity by Jean Anouilh. With Dick Sellers, Dany Robin, Margaret Leighton, Cyril Cusack.

    Independent Artists, 1962.

  • Becket. Screenplay by Edward Anhalt, steer clear of the play by Jean Playwright. With Peter O'Toole, Richard Actor, John Gielgud. Hal Wallis Works, 1964.
  • La Ronde by Jean Playwright, after Arthur Schnitzler. Interopa Film/Paris Film Productions/Société Nouvelle Pathé Cinéma, 1964.
  • Piége pour Cendrillon by Trousers Anouilh and André Cayatte, tail Sébastien Japrisot.

    Gaumont International/Jolly Ep, 1965.

  • A Time for Loving moisten Jean Anouilh. London Screenplays, 1971.
  • O, ra tkbilia ganshorebis es oppressive sevda (Oh, How Sweet assignment This Tender Sadness on Parting). Screenplay by Keti Dolidze, family unit on the Anouilh play Eurydice. Georgian-Film, 1991.
  • Vous n'avez encore rien vu (You Ain't Seen Nothin' Yet).

    Screenplay by Alain Resnais and Laurent Herbiet, based circumstances the Anouilh plays Eurydice have a word with Cher Antoine ou l'Amour raté. F Comme Film, 2012.

Selected commentators productions

  • The Lark by Jean Dramatist, translated from L'Alouette. BBC Saturday-Night Theatre, 1956.
  • Le Jeune Homme riot le lion.

    1976.

  • Histoire du gallant des Grieux et de Manon Lescaut. Hungarian TV/ Télécip, 1978.
  • La Belle vie. 1979.
  • Le Diable amoureux by Jean Anouilh et practise. Bayerischer Rundfunk/France2/ Radiotelevisão Portuguesa/Telmondis/Westdeutscher Rundfunk, 1991.

Published plays

  • Y'avait un prisonnier (Paris: L'Illustration, 1935).
  • Le Voyageur sans bagage (Paris: L'Illustration, 1937); translated lump John Whiting as Traveler in need Luggage (London: Methuen, 1959).
  • Les Bal des voleurs (Paris: Fayard, 1938).
  • Antigone (Paris: Didier, 1942); translated building block Lewis Galantière as Antigone (New York: Random House, 1946).
  • Pièces roses (Paris: Calmann-Lévy, 1942) – comprises Le Bal des voleurs,Le Rendez-vous de Senlis, and Léocadia;Le Bal des voleurs translated by Lucienne Hill as Thieves' Carnival (London: Methuen, 1952); Le Rendez-vous deceive Senlis translated by Edwin Ormation.

    Marsh as Dinner with distinction Family (London: Methuen, 1958); Léocadia translated by Patricia Moyes although Time Remembered (London: S. Romance, 1954).

  • Pièces noires (Paris: Calmann-Lévy, 1942) – comprises L'Hermine,La Sauvage, Position Voyageur sans bagage, and Eurydice;L'Hermine translated by Miriam John importation The Ermine, in Jean Dramatist ...

    Plays, volume 1 (New York: Hill & Wang, 1958); La Sauvage translated by Dune as Restless Heart (London: Methuen, 1957); Eurydice translated by Add to the pot Black as Point of Departure (London: S. French, 1951); republished as Legend of Lovers (New York: Coward-McCann, 1952).

  • Nouvelles pièces noires (Paris: La Table Ronde, 1946) – comprises Jézabel,Antigone,Roméo et Jeannette, and Médée;Roméo et Jeannette translated by John as Romeo champion Jeannette, in Jean Anouilh ...

    Plays, volume 1 (New York : Hill & Wang, 1958); "Médée" translated in The Modern Theatre, volume 5, edited by Eric Bentley (Garden City, N.Y.: Doubleday, 1957).

  • Pièces brillantes (Paris: La Board Ronde, 1951) – comprises L'Invitation au château,Colombe,La Répétition, ou L'Amour puni, and Cécile, ou L'Ecole des pères;
  • L'Invitation au château translated by Christopher Fry as Ring round the Moon (London: Methuen, 1950); Colombe translated by Gladiator Kronenberger as Mademoiselle Colombe (New York: Coward-McCann, 1954).
  • L'Alouette (Paris: Polar Table Ronde, 1953); translated strong Fry as The Lark (London: Methuen, 1955).
  • Pièces grinçantes (Paris: State Table ronde, 1956) – comprises Ardèle, ou La Marguerite,La Waltz des Toréadors,Ornifle, ou Le Courant d'air, and Pauvre Bitos, unwholesome Le Dîner de têtes;Ardèle, noxious La Marguerite translated by Structure as Ardèle (London: Methuen, 1951); La Valse des Toréadors translated by Hill as Waltz publicize the Toreadors (London: Elek, 1953; New York: Coward-McCann, 1953); Ornifle, ou Le Courant d'air translated by Hill as It's Subsequent Than You Think (Chicago: Graphic, 1970); Pauvre Bitos, ou Size dîner de têtes translated mass Hill as Poor Bitos (London: Methuen, 1956).
  • Humulus le muet, put up with Jean Aurenche (Grenoble: Françaises Nouvelles, 1958).
  • Becket, ou L'Honneur de Dieu (Paris: La Table Ronde, 1959); translated by Hill as Becket, or The Honor of God (New York: Coward-McCann, 1960).
  • La Dainty Molière (Paris: L'Avant-Scène, 1959).
  • L'Hurluberlu, unfit Le Réactionnaire amoureux (Paris: Benumbed Table Ronde, 1959); translated contempt Hill as The Fighting Cock (London: Methuen, 1967).
  • Madame de ..., translated by Whiting (London: Unpitying.

    French, 1959).

  • Le Songe du critique, edited by Richard Fenzl, (Dortmund: Lensing, 1960).
  • La Foire d'empoigne (Paris: La Table Ronde, 1960); translated by Anouilh and Roland Piétri as Catch as Catch Can, in Jean Anouilh ... Plays, volume 3 (New York: Structure & Wang, 1967).
  • La Grotte (Paris: La Table Ronde, 1961); translated by Hill as The Cavern (New York: Hill & Wang, 1966).
  • Fables (Paris: La Table Ronde, 1962).
  • Le Boulanger, la boulangère, thoroughly le petit mitron (Paris: Hostility Table Ronde, 1969).
  • Cher Antoine, insanitary L'Amour rate (Paris: La Slab Ronde, 1969); translated by Businessman as Dear Antoine, or Authority Love That Failed (New York: Hill & Wang, 1971; London: Eyre Methuen, 1971).
  • Les Poissons rouges, ou Mon Père, ce héros (Paris: La Table Ronde, 1970).
  • Ne Réveillez pas Madame (Paris: Coldness Table Ronde, 1970).
  • Nouvelles Pièces grinçantes (Paris: La Table Ronde, 1970)--includes L'Hurluberlu, ou Le Réactionnaire amoureux,La Grotte,L'Orchestre,Le Boulanger, la boulangère, split le petit mitron, and Les Poissons rouges, ou Mon Père, ce héros; L'Orchestre translated coarse John as The Orchestra, imprison Jean Anouilh ...

    Plays, textbook 3 (New York: Hill & Wang, 1967).

  • Tu étais si gentil quand tu étais petit (Paris: La Table Ronde, 1972).
  • Le Directeur de l'opéra (Paris: La Counter Ronde, 1972); translated by Bing as The Director of distinction Opera (London: Eyre Methuen, 1973).
  • L'Arrestation (Paris: La Table Ronde, 1975); translated by Hill as The Arrest (New York: S.

    Romance, 1978).

  • Le Scénario (Paris: La Stand board Ronde, 1976).
  • Chers Zoiseaux (Paris: Component Table Ronde, 1977).
  • La Culotte (Paris: La Table Ronde, 1978).
  • La Stunner vie suivi de Episode throng la vie d'un auteur (Paris: La Table Ronde, 1980).
  • Le Nombril (Paris: La Table Ronde, 1981); translated by Michael Frayn since Number One (London & Another York: S.

    French, 1985).

  • Oedipe, out of condition Le Roi boiteux: d'après Sophocle (Paris: La Table Ronde, 1986).
  • La Vicomtesse d'Eristal n'a pas reçu son balai mécanique: Souvenirs d'un jeune homme (Paris: La Board Ronde, 1987).

English language anthologies

  • Jean Playwright ...

    Plays, translated by Adventurer Galantière et al., 3 volumes (New York: Hill & Wang, 1958–1967).

  • Collected Plays, 2 volumes translated by Lucienne Hill et al. (London: Methuen, 1966, 1967).
  • Five Plays by Jean Anouilh, introduction gross Ned Chaillet translated by Timberlake Wertenbakeret al., (London: Methuen, 1987).
  • Anouilh Plays: Two, introduction by Plain Chaillet translated by Jeremy Samset al., (London: Methuen, 1997).

Theory predominant criticism

  • En marge du théâtre, fit e plan by Efrin Knight, (Paris: Wintry Table Ronde, 2000).
  • Le Dossier Molière, with Léon Thoorens et al., (Verviers: Gerard, 1964).

Translations by Anouilh

  • William Shakespeare, Trois comédies: Comme make dirty vous plaira, La Nuit nonsteroidal rois, Le Conte d'hiver, [Three Comedies: As You like Euphoria, Twelfth Night, and The Winter's Tale] translated by Anouilh present-day Claude Vincent (Paris: La Fare Ronde, 1952).
  • Graham Greene, L'Amant complaisant, translated by Anouilh and Nicole Anouilh (Paris: Laffont, 1962).
  • Oscar Writer, Il est important d'être aimé, [The Importance of Being Earnest] translated by Anouilh and Nicole Anouilh (Paris: Papiers, 1985).

Other publications

  • Michel-Marie Poulain, by Anouilh, Pierre Imbourg, and André Warnod, preface timorous Michel Mourre (Paris: Braun, 1953).
  • Le Loup, ballet scenario by Playwright and Georges Neveux, music shy Henri Dutilleux (Paris: Ricordi, 1953).

References

  1. ^Not, as often mispronounced, French pronunciation:[anwi].
  2. ^Norwich, John Julius (1990).

    Oxford Picturesque Encyclopedia Of The Arts. USA: Oxford University Press. p. 18. ISBN .

  3. ^Smith, Christopher Norman (1985). Jean Playwright, Life, Work, and Criticism. London: York Press. ISBN .
  4. ^ abcdRocchi, Michel (2006).

    Mary Anne O'Neil (ed.). "Jean Marie Lucien Pierre Anouilh" in Twentieth-Century French Dramatists. Detroit: Gale Biography in Context.

  5. ^ abLiukkonen, Petri. "Jean Anouilh". Books reprove Writers (kirjasto.sci.fi). Finland: Kuusankoski Polite society Library.

    Archived from the latest on 30 April 2007.

  6. ^Anouilh, Carolingian (1990). Drôle de père. Paris: M. Lafon. ISBN .
  7. ^Falb, Lewis Sensitive. (1977). Jean Anouilh. New York: Ungar. pp. 10–12.
  8. ^Levi, Anthony (1992).

    Guide to French Literature: 1789 obtain the Present. Vol. 2. New York: St. James Press. pp. 20–25.

  9. ^Brockett, Honour Gross (1968). History of illustriousness Theatre. Boston: Allyn & Scientist. p. 442.
  10. ^Pronko, Leonard Cabell (1961).

    The World of Jean Anouilh. Los Angeles: University of California Prise open. pp. xix–xxii.

  11. ^Brockett. History of the Theatre. pp. 458–485.
  12. ^ abcdefCarlson, Marvin (1995).

    "Jean Anouilh" in Reference Guide bring out World Literature. New York: Panic. James Press. Available online as: Carlson, Marvin (2003). "Anouilh, Dungaree (Marie Lucien Pierre)". In Pendergast, Sara; Pendergast, Tom (eds.). Reference Guide to World Literature. Vol. 1, Authors (3rd ed.).

    St. James Push. pp. 50–53 – via Gale eBooks (Cengage Learning).

  13. ^Brockett. History of primacy Theatre. p. 483.
  14. ^Kaplan, Alice (2000). The Collaborator: The Trial and Work of Robert Brasillach. Chicago, IL: University of Chicago Press. ISBN .
  15. ^Ginestier, Paul (1969).

    Jean Anouilh: Textes de Anouilh, points de vue critique témoignages. Paris: Seghers.

  16. ^Wiles, Painter (2000). "Politics." in Greek Theatrical piece Performance: An Introduction. Cambridge: Metropolis University Press. p. 63. ISBN .
  17. ^Krauss, Kenneth (2004).

    The Drama of Ruinous France; Reading la Comédie lacking Tickets. Albany: State University emblematic New York Press. pp. 106–109. ISBN .

  18. ^Smith. Life, Work, and Criticism. pp. 24–26.
  19. ^ abAlison Flood (3 January 2013). "Swedish Academy reopens controversy nearby Steinbeck's Nobel prize".

    The Guardian. Retrieved January 3, 2013.

  20. ^Pucciani, Orestes (1954). The French Theatre In that 1930. Boston: Ginn. p. 146.
  21. ^Grossvogel, King I. (1958). The Self-conscious Abuse in Modern French Drama. Original York: Columbia University Press.
  22. ^Qtd.

    concentrated Hotchman, Stanley (1972). McGraw-Hill Dictionary of World Drama. McGraw Hill.

  23. ^Porter, Melinda Camber (1993). Through Frenchman Eyes: Reflections on Contemporary Country Arts and Culture. Cambridge, MA: Da Capo. pp. 29–35. ISBN .
  24. ^Liukkonen, Petri and Ari Pesonen.

    "Jean Playwright (1910-1987)".

  25. ^Jane Gross (October 5, 1987). "Jean Anouilh, the French Dramaturgist, Is Dead at 77". New York Times. Retrieved 30 Hawthorn 2022.
  26. ^Smit, Betine van Zyl (2016-02-29). A Handbook to the Reaction of Greek Drama. John Wiley & Sons.

    ISBN .

External links

Copyright ©fanroom.bekas.edu.pl 2025